LA CUMPARSITA TANGO INSTRUMENTAL SERIES
With the latter he wrote a series of Canciones Montevideanas ("Songs of Montevideo"), including "Margarita Punzó". Reyes, Manuel Romero and Fernán Silva Valdés. Rodríguez collaborated with the lyricists Enrique Cadícamo, Victor Soliño, Juan B. Other tangos composed by him include: “Che papusa, oí”, “Son grupos”, “Yo tuve una novia”, “Cuando bronca el temporal”, “Hablame”, “Pobre corazón”, “Haceme caso a mí”, “Canto por no llorar”, “Rosa reseca”, “Botija linda”, “El pescador”, “Te fuiste, ¡ja, ja!”, “Adiós Argentina”, “Mi provinciana”, “La milonga azul”, “Dale celos”, “Raspail”, “Mocosita”, “La muchacha del circo”, and “San Telmo”.
He led his own tango orchestra in Montevideo for a short time afterwards.
Matos Rodríguez also composed pieces for theater plays premiered in Buenos Aires, among them Manuel Romero's El Gran Circo Rivolta. Roberto Firpo, director and pianist of the orchestra that premiered the song, added parts of his tangos "La Gaucha Manuela" and "Curda Completa" to Matos' carnival march, resulting in "La Cumparsita". The most famous classic tango of all times is " La Cumparsita", written by Matos Rodríguez in 1916, with lyrics added later by Pascual Contursi and Enrique Pedro Maroni.
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